Nathan Fielder’s documentary You Can See Everything, about Elizabeth Holmes, is drawing major reviews.

The Guardian calls it a modern masterpiece of deceit, and Vulture calls it the movie of the year.

The New York Times reports that seeing it is hard because tickets are scarce.

The Atlantic frames the film as a contest of manipulator versus manipulator.

A Variety headline quotes him saying she seems genuine, but he knows she is a liar.

That quote refers to living with Holmes while filming, the article’s source line says.

The article says critics are still debating the ethics of the documentary.

Wider release plans are not settled in the piece, which says more viewers still lack tickets.

Read the full article on Fielder’s Holmes documentary and the ticket scramble.